Quantcast

Monthly Archives: October 2007

An American Girl’s Israeli Halloween Party

jenna bouchard 48 48_1 By Jenna Bouchard

Halloween

Halloween is one of the most anticipated, chuztpahed and frivolous holidays America has to offer — Never to be missed! (minus those two years I had the flu.) American business goes nuts from candy to cards to spook-tacular TV specials. It’s amazing.

Trouble is, this Halloween I can’t go to the party store and buy cheap glow-in-the-dark skulls and cackling hanging witches. Nor trash bags resembling pumpkins or discount packs of overstock candy corn. No, this year on October 31, I’m in Israel.
Now some of my fellow expatriates here in the Promised Land have just decided to ignore the holiday all together — perhaps it was never a big deal for them or maybe they’re just lazy, but for me, despite my embracing Israeli culture, there are some American traditions I just can’t do without. And though I am admittedly lazy to the extent that the TV, sans remote, will remain on the same annoying re-run of Becker that was on yesterday — for Halloween, yes, I’ll go all out.
Thus began my frenzied holiday decorating crusade.

My mission started with a request from the fam back home to send some essentials - things that just cannot be found here: candy corn, pumpkin Peeps, autumn leaves sealed in wax paper — the works — and for everything else I was left to my own creative devices.
Now living here in Israel I find that I learn new things everyday. Meaning, I am often baffled when I realize what Israel lacks — Dunkin Donuts and customer service — and what it regrettably doesn’t — odious bureaucracy. So I wasn’t so surprised when I learnt that colored paper cannot be bought in packs for $2 and that I would be spending more on Halloween decorations than I usually do on groceries. (I’ve got candy anyways.)

Paper, bought piece-by-piece, finally in hand, my former scissors-and-paste grade schooler self burst out — high on candy corn and ready to go. After making a giant paper pumpkin, fall leaves, spiders, nine greeting cards and seven personalized hanging ghosts, my small Tel Aviv apartment was pretty much Halloween-ified. I added to the mix a bowl of strange Israeli knock-off mini-candy bars like “Peanut Bits” (Snickers) and “Coconut Bits” (Mounds). My Israeli boyfriend and other roomy were thus unwillingly pulled into the insanity.
Still, my most triumphant creations were yet to be made: The Patricks and the Pumpkin.

pumpkin patricks 424_0

With my apartment orange-and-blacked out, there was still something missing: people in costume. And since I wasn’t going to find many of those in Tel Aviv, I decided to dress my two identical Spongebob Patrick dolls as Zorro and The Witch complete with sword, broom and green nose. (Now, why I, with all my other luggage, chose to bring two plush Patricks to Israel is another story altogether.)
And though my Patricks were craftily magnificent, I was, and am, most obsessed with my 30 pound white Israeli Jack-o-lantern.

Not that I don’t like big pumpkins, but I was a little thrown when my boyfriend said he had ordered one, it was white — and ginormous — and we could pick it up tomorrow. And please, could I pay him back the 80 shekels.
With a $20 white pumpkin that I had to roll from place to place - I was ecstatic. And thus the carving began. It took three scary knives, a giant spoon, two pots and a fork — and three hours — to produce a mediocre two eyes and a mouth. I have done better in the past, but hey — this is my first Israeli pumpkin. Not only was it white on the outside and orange on the inside, but all the seeds inside the pumpkin had started spouting green leaves. It was one of the oddest things I’ve ever seen. Hooray for Israeli pumpkins.

And though I miss the sight of trick-or-treaters, the smell of the autumn air, getting sick from eating too many Reece’s pumpkins, and mobs of super wastey-face stupid-looking college freshmen, I can safely say that I have had my fair share of Halloween here in Israel.
Next attempt: Thanksgiving dinner…

Climatotherapy at the Dead Sea is a remittive therapy for psoriasis: Combined effects on epidermal and immunologic activation

Hodak E. Gottlieb A.B. Segal T. Politi Y. Maron L. Sulkes J. David M.
2003 | JOURNAL OF THE AMERICAN ACADEMY OF DERMATOLOGY

 Normal1635 Dead Sea 5 Dead Sea 7

The beneficial effect of climatotherapy at the Dead Sea (CDS) for psoriasis has been established clinically but there is a striking lack of studies assessing its in vivo effect at the molecular and cellular levels.

Objectives: We sought to study the response of activated immunologic cells and keratinocytes in psoriatic lesions to CDS.
Methods: A total of 27 patients with chronic, stable, plaque-type psoriasis treated with CDS for 28 consecutive days were evaluated with the Psoriasis Area and Severity index score and quantitative histologic measures.
Results: After 4 weeks of treatment, the overall Psoriasis Area and Severity index score decreased by 81.5%. Complete clearance was achieved in 48% of the patients, and moderate to marked improvement in 41%. The average duration of remission was 3.3 months. Histologically, there was an overall reduction in malpighian layer thickness by 63.4%, and keratinocyte hyperplasia, assessed by Ki-67 cell cycle antigen expression, decreased by 78%; residual cell proliferation was confined mainly to the basal layer. These changes were accompanied by normalization of keratin 16 expression in 90% of the patients. T lymphocytes were almost totally eliminated from the epidermis (depletion of >90% of CD3(+) and CD25(+) cells), with only a low number remaining in the dermis (depletion of 69.4% of CD3(+) cells and 77.4% of CD25(+) cells). This reduction in activated T cells was accompanied by a marked reduction in HLA-DR expression by epidermal keratinocytes.
Conclusions: CDS is a highly effective and remittive treatment for moderate to severe plaque-type psoriasis, leading to a reversal of both pathologic epidermal and immunologic activation.

More great information about the treatments you can find in Dead Sea, in this web site.

Leave Britney Alone? Leave Israel Alone! ;)

Remember the video itschriscrocker calling to everyone to leave Britney alone?

here is the Israeli version of It. Enjoy! ;)

Please don’t forget, it’s just Humor, so take it with a smile, like this -)

 

Tel Aviv Guide - Free Guided Walking Tours Of Tel Aviv

Fascinating free guided walking tours of Tel Aviv – Jaffa are available in English, all a year around (except from Yom Kippur). No need to book in advance – just come and enjoy!

TEL AVIV UNIVERSITY – ART AND ARCHITECTURE

Tel Aviv university-Guide for Visitors

Every Monday at 11 a.m.

Meeting point:

Dynon bookstore, university campus entrance (intersection of Haim Levanon and Einstein streets). An introduction to the Israeli architecture on campus, this tour delves into styles, international influences, stories of buildings and architects, environmental sculpture and landscape design. The tour offered in cooperation with the Friends of Tel Aviv University.

OLD JAFFA

1524

Every Wednesday at 9:30 a.m.

Meeting point:

Clock Tower (beginning of Yefet street), Jaffa.

The tour embraces the picturesque flea Market, archaeological sites, the view of the Tel Aviv from the Crest Garden (Gan Hapisga), and the renovated alleys and buildings of historic Old Jaffa.

BAUHAUS – THE “WHITE CITY”

IMG_0015

Every Saturday at 11 a.m.

Meeting point:

46 Rothschild Boulevard (corner of Shadal Street).

In July, 2003, UNESCO proclaimed the “White City”, the unique urban and historical fabric of Tel Aviv, as a World Cultural Heritage site.

The tour focuses on the architectural styles of the 1930s – most notably the international, or Bauhaus, style – in one of the White City’s main concentrations, along Rothschild Boulevard. Telling the story of Tel Aviv from its early years till today, this tour presents a wonderful opportunity to savor the experience of life, past and present, in the first Hebrew City.

Tel Aviv Sea - To Sea And To Be Seen

IMG_0002 IMG_0037 IMG_0064

1524 1525 1522

1526 1567 1521

Tel Aviv Has a promenade, a long promenade, running along the seashore that makes up the western edge of Tel Aviv – Jaffa. There, we walk or jog, ride bikes, sit on benches, fill out lungs with fresh air. A glorious 8.7 miles of open views, blue horizons, white sails bobbing on the waves, kitesurfers and windsurfers all around.

There’s a daytime promenade, and there’s the nighttime version. Dozens of restaurants, cafes, and ice cream parlors are busy al day long, while pubs, discos and jazz clubs blossom after dark. Regardless of the hour, human attractions abound – clowns, caricaturists, tattoo artists, hair-braiders, magicians and of course, the ever-changing parade if people strolling by the nearby beaches beckon. Clean sand, lounge chairs, ice-cream vendors and diehard beach-lovers that swim daily, winter and summer, no matter what. Each beach has its own unique character. A few tips: On the Dolphinarium beach on Friday afternoons, for instance, you can join an improvised percussion festival, and the Brazilian martial arts/dance/music combination called capoeira. Go to the Gordon beach for beach volleyball. The religiously observant will find gender-segregated swimming close to the Tel Aviv port. The gay-lesbian community will gravitate to the stretch near the Hilton, which has earned the unofficial little of Tel Aviv’s gay-friendliest beach. At the Metzitzim beach, you can let your dogs and your hormones run wild among the assembled babes and hunks. There’s a playground for kids, easy chairs and restaurant – of playground – to provide the ultimate Tel Aviv beach cuisine: cold, sweet, juicy watermelon accompanied by salty white Bulgarian cheese. The narrow strip of sand near the marina is less crowded and more peaceful; at the yacht basin, you can rent windsurfers, surfboards, sailboats, motorboats and diving equipment.

Tel Aviv’s beaches are well-equipped with changing room, showers and toilets; some have lifeguards year-round. On the beaches and the major tourist centers, tourist police provide a sense of security, as well as assistance and information services.

Israeli Contemporary Art Gallery

תחצה אל תחצה Sherdinger cat

Raw Art Gallery is a young and innovative Israeli contemporary art gallery, dedicated to exhibit and promote emerging and cutting-edge contemporary Israeli and international artists locally and worldwide. Raw Art Gallery goal is to become a center of excellence for contemporary art in Tel Aviv, have an effective presence in the cultural life of the city and be a worthy ‘art ambassador’ in the international art community.

Raw Art Gallery was established in September 2005 and since has become one of the most prominent, lively and dynamic art exhibitions spaces in the Israeli art scene. Raw Art Gallery first major project was “Slow Dance Marathon - Tel Aviv 2006″ a continuous art project, by Cypriot performance and video artist Christodoulos Panayiotou. On March 2007, we have opened a new 2500 sq.ft. art space, that includes a private Show Room for collectors. The new space, will allow us to enrich our exhibition program and develop a broader based and accessible outreach to public education programs.

Uri Dotan and Avraham Pesso

A dialog between two solo exhibitions at Raw Art Gallery.

Back in the 80’s both Uri and Avraham were part of the flagrant left wing spirit of Tel Aviv’s Sheinkin Street.

Uri Dotan and his brother Dani Dotan founded the “Tat Rama” and “Sheink-In” galleries and engraved the term “Sheinkiner” as a nickname for those who believe in the importance of art, culture and media in defining the Israeli being.

In 1995, shortly after Prime Minister Rabin was murdered, Avraham Pesso, an artistic rebel, set out for Kiryat Arba and smashed a bottle of black paint on the murderous Baruch Goldstein’s tombstone, so as to “obliterate the shame”.

Exactly one year ago, the two fellow artists met and learned of a change in the artistic perspective, common to both. The revelation proceeded through extensive correspondence and online chatting, and a creation that yielded a joint exhibition where the two worlds meet vis-à-vis.

Avraham Pesso looks at the world from high up. There are no people in his paintings. Perhaps they are at home or on the road. But he is way up there, painting what a bird or an alien or god would see. What Pesso sees happens in Israel, within the artificial boundaries separating Jewish city from an Arab village, old from new. From high above, the reasons for war seem as profound as deep as the nature of man and as meaningless as the lines that time draws between the habitats of different nations. Pesso sees only the products of man’s doing; the buildings and fields, the contours of separation between worlds which could be unified.

Uri Dotan climbs up to the third floor or to the top of some skyscraper to observe the docile march of people in crosswalks being transformed into an artistic secret. Dotan’s walkers split; they exist in parallel universes that briefly intersect on the zebra crossing. Which is the real one and which is the clone? Which one really saw the neon light and smelled the tree? Uri Dotan is a scientist-artist, in his experiments there is no distinction between original and its clone, they are all of equal class. They all dance, move, insignificant like particles meeting for a split second to create that which is complete.

Two solo exhibitions making up a joint one – Avraham Pesso’s painting and Uri Dotan’s photography – call upon spectators to find a different meaning to distance, time and the human existence on earth and asphalt.

AJAXed with AWP