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Category Archives: Art & Culture

2 Rare Coins Discovered at the Emek Tzurim National Park Temple Mount Sifting Operation

Antiochus Coin Dec. 2008 half shekel Dec. 2008

A silver half shekel coin and a coin minted by the Greek ruler Antiochus Epiphanus IV were discovered recently in the Temple Mount Sifting Operation at the Emek Tzurim National Park. Now in its fourth year, the sifting operation which is funded by the Ir David Foundation, takes place under the direction of Prof. Gabriel Barkay of Bar Ilan University and Archaeologist Tzachi Zweig.

A silver half-shekel coin that was minted in the first year of the Great Revolt against the Romans in 66/67 CE was discovered recently at the Emek Tzurim National Park in Jerusalem. On one side of the coin, a branch with three pomegranates is visible with the inscription “Holy Jerusalem.” The other side of the coin bears a chalice from the First Temple and says “Half Shekel.” These coins were used to pay an annual Temple tax, and during the days of the Great Revolt, they replaced the Tyrian Shekels. Silver half-shekels like the one discovered at Emek Tzurim appear to have been minted on the Temple Mount itself by the Temple authorities. The Temple tax has its basis in Exodus (30:11-15) in which every Jew was required to pay half a shekel per year to the Temple. Though the coin is in excellent condition, it does have signs of having been damaged by fire, most likely the fires that destroyed the Second Temple in 70 CE. This is the first time that such a coin has been discovered in rubble that comes from the Temple Mount itself. Similar coins have been discovered at various locations throughout Jerusalem, in the Old City, and even at Masada, but they are still considered or the rarest of finds in Jerusalem archaeology. This silver half-shekel coin was discovered by a 14 year old volunteer from Neve Daniel named Omer Yaari.

An additional coin was discovered in the Temple Mount Sifting Operation – one minted by the Greek ruler Antiochus Epiphans IV of the Chanukah story. He ruled from 175-163 BCE during which time he looted the Temple of its treasures and erected a statute in the sanctuary. The Hasmonean rebellion was directed against his actions. The coin depicts a portrait of Antiochus IV. The Hasmonean rebellion, their liberation of the Temple, and the events surround the Chanukah story took place on the Temple Mount itself. This is the first coin of its kind that has been discovered, in near perfect condition, in rubble that comes from the Temple Mount.

The Temple Mount Sifting Operation

In November 1999, illegal construction and excavation work took place on the Temple Mount, causing irreparable damage to the area’s archaeological treasures. This is part of a larger trend of illegal work carried out by the Wakf (the religious body in charge of Moslem holy sites) to “revise” history and to eradicate the remains of Jewish history on the Mount. The rubble from this illegal work was removed by bulldozers and trucks and discarded in the Kidron Valley. Though these remains are no longer in their original context, they contain important archaeological material. Today, this rubble is being sifted on a daily basis at the Emek Tzurim National Park as part of the Teple Mount Sifting Operation. Over 40,000 volunteers have participated in this incredible project. Sifting operations at the Emek Tzurim Park have resulted in finds of over 3,500 ancient coins that range from the Persian Period to the Ottoman Period.

For more information: Gabriel Barkay 972-2-672-4935

The Israeli Film Shines In the European Film Awards!

The Band's visit poster Saleh Bakri as Haled Shlomi Avraham as Papi and Rinat Matatov as Yula the band's visit - the band arrival

The 20th European Film Awards was held in Berlin and hosted by French actress Emmanuelle Beart and German actor Jan Josef Liefers.

Britain’s Helen Mirren won yet another award on Saturday for her performance in “The Queen”, winning the best actress crown at the 2007 European Film Academy and that after she won the Oscar for the same movie a few moths ago.

Also on the same note, the Israeli actor Sasson Gabay won the best actor award on his role in “The band’s visit” a comedy about an Egyptian police band who finds itself in Israel as a result of a cultural exchange, and that we already recommended to you few weeks ago.

This was a great achievement for the Israeli film industry, other Israeli actors have been nominated in the past but Gabay is the first to win. At the same award show the director Eran Kolirin won the award for the European discovery of 2007.

The awards mark the great work and progress the Israeli film industry has been making for the last few years with movies who won awards like: “walk on water” “meduzut” etc. The only sad thing about last night is the big sense of missing the opportunity to win the Oscars, as a couple moths ago “The band’s visit” was disqualified from competing in the Oscars due to the fact that the language spoken in the movie is mostly English and not Hebrew or Arab.

We keep hoping that Israeli films will keep making it big not only in Israel but all around the world.

Jerry Seinfeld buzz In Israel!

Jerry Seinfeld In Israel 2007 Jerry Seinfeld visited Israel this past week as part of his movie “Bee Movie” promotion. The trip to the Holy Land got so much hype it rivaled news of key upcoming Middle East talks.

The Jewish comedian visited Israel for the first time since 1971. When he was 15 years old he volunteered in a Kibbutz helping to grow Bananas.

Seinfeld got to meet both Israeli President Shimon Peres and Prime Minister Ehud Olmert. He also visited places such as Holocaust Museum Yad Va’Shem and Historical Massada Mountain.

Newspapers devoted nearly full-pages to his trip. And references to his humor crept into serious items in the news. “Yada, yada, yada,” said TV political analyst Amnon Abramovitz Sunday about the Mideast meeting called by President Bush, quoting one of the best-known phrases from Seinfeld’s TV show.

Seinfeld was surprised by the reception received and said it is quite a contrast to what he experienced during his last trip to Israel.

“I would be in the fields, and nobody wanted my autograph and nobody wanted to take their picture with me,” he told reporters in Tel Aviv. “They just let me hack away at those banana leaves, and no, I didn’t meet the prime minister even once.”

Jerry Seinfeld Press Conference

Seinfeld Meets Israeli President Shimon Peres:

Jerry Seinfeld interview in Chanel 10:

A Movie You Must See! "The Band’s Visit"

 

Once, not long ago, a small Egyptian Police band arrived in Israel. They came to play at an initiation ceremony but, due to bureaucracy, bad luck, or for whatever reason, they were left stranded at the airport.

They tried to manage on their own, only to find themselves in a desolate, almost forgotten, small Israeli town,

somewhere in the heart of the desert. A lost band in a lost town. Not many people remember this. It wasn’t that important.

postervisit

DIRECTOR’S STATEMENT (ERAN KOLIRIN - Director and Script Writer)

When I was a kid, my family and I used to watch Egyptian movies. This was a fairly common Israeli family practice, circa the early 1980’s. In the late afternoon on Fridays, we’d watch with bated breaths the convoluted plots, the impossible loves and the heart-breaking pain of Omar Sharif, Pathen Hamama, I’del Imam, and the rest of that crew on the one and only TV channel that the country had. This was kind of weird, actually, for a country that spent half of its existence in a state of war with Egypt, and the other half in a sort of cold, correct peace with its neighbor to the south.

Sometimes, after the Arab movie, they’d broadcast a performance of the Israel Broadcasting Authority’s orchestra. This was a classical Arab orchestra, made up almost entirely of Arab Jews from Iraq and Egypt. When you think of the IBA orchestra, maybe the custom of watching Egyptian movies ceremony sounds a little less odd.

The Arab movie has long since disappeared from our screens. TV became privatized, and has sunk out there among the five hundred fifty seven or who knows how many channels that have descended on us. And then the IBA orchestra was disbanded. We got MTV and BBC and RTL and “Israeli Idol” and pop songs and 30-second commercials. So who cares about quarter-tone songs that last half an hour any more?

Afterwards, Israel built the new airport, and they forgot to translate the road signs into Arabic. Among the thousands of shops they built there, they found no room for the strange, curling script that is the mother tongue of half of our population. It’s easy to forget the things that H&M and Pull and Bear and Levi’s etc. make us forget. Over time, we’ve forgotten ourselves too.

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A lot of movies have been made touching on the question of why there is no peace, but it seems that fewer have been made about the question of why we need peace in the first place. The obvious is lost on us in the midst of conversations centering on economic advantages and interests. At the end of the day, my son and my neighbor’s son will meet, I am sure of that, in some neon-blinking mall under a giant McDonald’s sign. Maybe that’s some kind of comfort, I don’t know. What’s certain though is that we’ve lost something on the way. We traded true love for one-night stands, art for commerce, and the human connection, the magic of conversation for the question of how big a slice of the pie we can put our hands on.

This audience-pleasing sensation of Cannes’ Un Certain Regard and winner of eight Israeli Oscars follows the comic plight of the Alexandrian Police Orchestra. These eight slightly bewildered Egyptian officers, after getting lost at the airport, arrive in a remote, slightly empty Israeli village, their powder-blue uniforms standing out against the desert landscape. Fortunately, they connect with Dina, a ballsy, sexy café owner (Ronit Elkabetz, three-time winner of the Israeli Oscar), who helps them find lodging for the night. In the very first images of his first theatrical film, writer-director Elan Kolirin displays a mastery of low-key deadpan visual humor in the manner of Tati and Jarmusch. By the movie’s second half, however, he pushes boundaries as several of the characters unexpectedly confront what one refers to as “tons of loneliness.” With its precise portions of tact, irony and sweetness, Director Eran Kolirin’s film gives ‘humanist cinema’ a good name, and offers yet another example of the resurgence of Israel’s vibrant, provocative and increasingly varied film culture.

The movie was selected to be Israel’s Official Submission to the Best Foreign Language Film Category of the 80th Annual Academy Awards (2008), but it was disqualified by AMPAS because more than 50% of film’s dialogue was found to be in English, as opposed to Arabic and Hebrew.

The Movie Won 13 International Awards:
Won Best Actor (Sasson Gabai),Best Actress (Ronit Elkabetz),Best Costumes (Doron Ashkenazi),Best Director (Eran Kolirin),Best Film,Best Music (Habib Shadah),Best Screenplay (Eran Kolirin) and Best Supporting Actor (Saleh Bakri) at Awards of the Israeli Film Academy 2007.
Won Un Certain Regard - Jury Coup de Coeur (Eran Kolirin) at Cannes Film Festival 2007.
Won Special Mention (Sasson Gabai & Ronit Elkabetz) at Flanders International Film Festival 2007.
Won Audience Award at Sarajevo Film Festival 2007.
Won Golden Eye (Eran Kolirin) and New Talent Award New Talent Award at Zurich Film Festival 2007.

SCR: Eran Kolirin
DIR/SCR: Eran Kolirin
PROD: Eilon Ratzkovsky, Ehud Bleiberg, Yossi Uzrad, Koby Gal-Raday, Guy Jacoel
CO-PROD: Sophie Dulac, Michel Zana
DP: Shai Goldman
ED: Arik Lahav Leibovitz
PROD DES: Eitan Levi
MUS: Habib Shehadeh Hanna
CAST: Sasson Gabai, Saleh Bakri, Khalifa Natour, Ronit Elkabetz, Rubi Moscovich, Uri Gabriel

More information about the great movie you can find in the official web site here.

Review: "Cooking Jewish" - The Book

9780761135814 When Judy Bart Kancigor was excitedly expecting her first grandchild, she suddenly realized: how would this coming generation ever know her family’s history, hear the wonderful stories—and, more importantly, taste its wonderful food?

And what wonderful food it is: Layered Hummus and Eggplant with Roasted Garlic and Pine Nuts, Moroccan Spicy Apricot Lamb Shanks, and, essential for any holiday, Gramma Sera Fritkin’s Russian Brisket. The secret? Marinating the brisket in lemon juice tenderizes it and lends a tartness that contrasts with the tangy chili sauce…although “I doubt they had chili sauce in Minsk!”

Mixing warm stories of the author’s Rabinowitz family with the treasure of five generations of recipes, COOKING JEWISH (Workman Publishing; December 2007; $19.95) is home cooking at its best. Kancigor has collected 532 traditional and untraditional recipes from her large and wacky clan—“in-laws of in-laws begged to be in my cookbook”—and interweaved them with over 160 family stories and more than 500 photographs reaching back to the 19th century.

COOKING JEWISH blends the old with the new, the sweet with the savory, the recipes with the stories behind them. How did Aunt Sally’s Red, White and Blue Cake get its name, for example? “When Harold was courting Marilyn, Aunt Sally offered him an assortment of her cakes. He took one look at her chocolate, vanilla, and cherry marble cake and said, ‘Do I eat it or salute it?’ They’ve been calling it Red, White, and Blue Cake ever since!” And Aunt Shirley’s Chicken Stupid—well, you’ll just have to consult the recipe to find out!

But all is not without controversy. There are the matzoh ball floater-lovers versus the sinker-lovers. The Litvaks versus the Galitzianers (the Jewish version of the Hatfields and McCoys). And in an essay called “The Kugel Wars,” Kancigor reveals the heart-wrenching dilemma she faced in whittling down the myriad kugel recipes submitted to a mere dozen. “‘Take mine!’ ‘No, mine!’ they all pleaded. It got ugly. Otherwise perfectly agreeable cousins came practically to blows extolling the virtues of …what? We’re talking a noodle concoction here!” Rita’s Special Kugel, layered with pears and peaches, wins out as “the king of kugels.” And the crowning touch? Try it with Toffee Walnuts.

Kancigor and more than 200 family members leave no Jewish food stone unturned. You haven’t had chicken soup until you’ve had Lillian Bart’s (Judy’s mother, of course!). You’ll find Old World comfort food like Pirogen (Cheese and Potato), and Kancigor’s signature hors d’oeuvre, Potato Knishes (“I’ll go to my grave believing that if my daughter-in-law Shelly hesitated for one minute about marrying Stu, it was my knishes that pushed her over the edge”), new versions of old favorites like Malaysian Potato Latkes, with ginger, jalapeños and cashews (“a latke with pizzazz!”), and a whole chapter for Passover.

And befitting the work of passionate cooks who will use any excuse to get together for coffee and “a little something,” you’ll find FOUR chapters on sweets. “Some people have a sweet tooth, but we have sweet teeth, every one of them,” writes Kancigor. Pore over pages of pies, cakes, cookies, bars, and half a dozen cheesecakes, not to mention Rugelach, Hamantaschen, Mandelbrot, Sufganiot (Hanukkah jelly doughnuts), Kancigor’s mom’s Honey Orange Sponge Cake with Aunt Sally’s Pineapple Apricot Sauce, and Tanta Esther Gittel’s Husband’s Second Wife Lena’s Nut Cake.

COOKING JEWISH speaks to the Jewish food lover in anyone who recalls standing on a chair to help Mom cut out butter cookies. COOKING JEWISH is cooking from the heart, a memory in every bite.

Just a quick flip through the book will have you salivating for Mama Hinda’s Challah, Cherry Chili Chicken, and Bubbe Rose’s Apple Cake. So dig in for a little nosh! Or as Kancigor says, “Not ‘little’ like the French with their dainty amuse-bouches. Not that little. And why just one? Have a knish and borekas and some chopped liver too. M-m-m-m.”

clip_image002About the Author:

Judy Bart Kancigor is a contributing feature writer for the Orange County Register, the Jewish Journal of Greater Los Angeles and the Canadian Jewish News, a food columnist for the Register and a popular teacher of Jewish cooking and family life. She self-published her first cookbook, Melting Pot Memories, just for her family. Eight printings later she had sold 11,000 copies, and Workman Publishing offered to publish her new book, Cooking Jewish: 532 Great Recipes from the Rabinowitz Family. Daughter of the late singer Jan Bart, Judy has delighted audiences across the country, appearing for many organizations, synagogues and cooking schools. She lives with her husband, Barry, in Fullerton, California.

Web site: www.cookingjewish.com

Email: judy@cookingjewish.com

Israeli Contemporary Art Gallery

תחצה אל תחצה Sherdinger cat

Raw Art Gallery is a young and innovative Israeli contemporary art gallery, dedicated to exhibit and promote emerging and cutting-edge contemporary Israeli and international artists locally and worldwide. Raw Art Gallery goal is to become a center of excellence for contemporary art in Tel Aviv, have an effective presence in the cultural life of the city and be a worthy ‘art ambassador’ in the international art community.

Raw Art Gallery was established in September 2005 and since has become one of the most prominent, lively and dynamic art exhibitions spaces in the Israeli art scene. Raw Art Gallery first major project was “Slow Dance Marathon - Tel Aviv 2006″ a continuous art project, by Cypriot performance and video artist Christodoulos Panayiotou. On March 2007, we have opened a new 2500 sq.ft. art space, that includes a private Show Room for collectors. The new space, will allow us to enrich our exhibition program and develop a broader based and accessible outreach to public education programs.

Uri Dotan and Avraham Pesso

A dialog between two solo exhibitions at Raw Art Gallery.

Back in the 80’s both Uri and Avraham were part of the flagrant left wing spirit of Tel Aviv’s Sheinkin Street.

Uri Dotan and his brother Dani Dotan founded the “Tat Rama” and “Sheink-In” galleries and engraved the term “Sheinkiner” as a nickname for those who believe in the importance of art, culture and media in defining the Israeli being.

In 1995, shortly after Prime Minister Rabin was murdered, Avraham Pesso, an artistic rebel, set out for Kiryat Arba and smashed a bottle of black paint on the murderous Baruch Goldstein’s tombstone, so as to “obliterate the shame”.

Exactly one year ago, the two fellow artists met and learned of a change in the artistic perspective, common to both. The revelation proceeded through extensive correspondence and online chatting, and a creation that yielded a joint exhibition where the two worlds meet vis-à-vis.

Avraham Pesso looks at the world from high up. There are no people in his paintings. Perhaps they are at home or on the road. But he is way up there, painting what a bird or an alien or god would see. What Pesso sees happens in Israel, within the artificial boundaries separating Jewish city from an Arab village, old from new. From high above, the reasons for war seem as profound as deep as the nature of man and as meaningless as the lines that time draws between the habitats of different nations. Pesso sees only the products of man’s doing; the buildings and fields, the contours of separation between worlds which could be unified.

Uri Dotan climbs up to the third floor or to the top of some skyscraper to observe the docile march of people in crosswalks being transformed into an artistic secret. Dotan’s walkers split; they exist in parallel universes that briefly intersect on the zebra crossing. Which is the real one and which is the clone? Which one really saw the neon light and smelled the tree? Uri Dotan is a scientist-artist, in his experiments there is no distinction between original and its clone, they are all of equal class. They all dance, move, insignificant like particles meeting for a split second to create that which is complete.

Two solo exhibitions making up a joint one – Avraham Pesso’s painting and Uri Dotan’s photography – call upon spectators to find a different meaning to distance, time and the human existence on earth and asphalt.

AJAXed with AWP